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#Pizzicato in music series

The first recognised use of pizzicato in classical music is found in Tobias Hume's Captain Humes Poeticall Musicke (1607), wherein he instructs the viola da gamba player to use pizzicato ('thumpe'). The inharmonicity disappears when strings are bowed because the bow's stick-slip action is periodic, so it drives all of the resonances of the string at exactly harmonic ratios, even if it has to drive them slightly off their natural frequency. The inharmonicity of a string depends on its physical characteristics, such as tension, composition, diameter and length.

This complex timbre is called inharmonicity.

#Pizzicato in music series

When a string is struck or plucked, as with pizzicato, sound waves are generated that do not belong to a harmonic series as when a string is bowed. It is also known (especially in non-classical guitar) as palm muting.

On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively shorter sustain.

On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as " string piano".

This produces a very different sound from bowing, short and percussive rather than sustained.

On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow.

The exact technique varies somewhat depending on the type of instrument: Pizzicato ( / ˌ p ɪ t s ɪ ˈ k ɑː t oʊ/ Italian: pizzicato, translated as pinched, and sometimes roughly as plucked) is a playing technique that involves plucking the strings of a string instrument.

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This article needs additional citations for verification. It is also known (especially in non-classical guitar) as palm muting.When a string is struck or plucked, as with pizzicato, sound waves are generated that do not belong to a harmonic series as when a string is bowed. On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively shorter sustain. On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. Pizzicato ( Italian: pizzicato, translated as pinched, and sometimes roughly as plucked) is a playing technique that involves plucking the strings of a string instrument.